Martial arts or fighting arts are systems of codified practices and traditions of training for combat. While they may be studied for various reasons, martial arts share a single objective: to physically defeat other persons and to defend oneself or others from physical threat. In addition, some martial arts are linked to beliefs such as Hinduism, Buddhism, Daoism, Confucianism or Shinto while others follow a particular code of honor. Many arts are also practiced competitively, most commonly as combat sports, but may also take the form of dance.
The term martial arts refers to the art of warfare (from Mars, the god of war). It comes from a 15th-century European term for fighting arts now known as historical European martial arts. A practitioner of martial arts is referred to as a martial artist.
In popular culture, the term martial arts often specifically refers to the combat systems that originated in Asian cultures, especially East Asian martial arts. However, the term actually refers to any codified combat system, regardless of origin. Europe is home to many extensive systems of martial arts, both living traditions (e.g. Jogo do Pau and other stick and sword fencing and Savate, a French kicking style developed by sailors and street fighters) and older systems of historical European martial arts that have existed through the present, many of which are now being reconstructed. In the Americas, Native Americans have traditions of open-handed martial arts including wrestling, and Hawaiians have historically practiced arts featuring small- and large-joint manipulation. A mix of origins is found in the athletic movements of Capoeira, which African slaves developed in Brazil based on skills they had brought from Africa.
While each style has unique facets that make it different from other martial arts, a common characteristic is the systematization of fighting techniques. Methods of training vary and may include sparring (simulated combat) or formal sets or routines of techniques known as forms or kata. Forms are especially common in the Asian and Asian-derived martial arts.
Variation and scope
Martial arts vary widely, and may focus on a specific area or combination of areas, but they can be broadly grouped into focusing on strikes, grappling, or weapons training. Below is a list of examples that make extensive use of one these areas; it is not an exhaustive list of all arts covering the area, nor are these necessarily the only areas covered by the art but are the focus or best known part as examples of the area:
Striking
Punching: Boxing (Western), Wing Chun
Kicking: Capoeira, Kickboxing, Savate, Taekwondo
Other strikes:
Elbows and knees: Muay Thai
open-hand):Karate, Shaolin Kung Fu
Grappling
Throwing: Glima, Judo, Jujutsu, Sambo
Joint lock/Submission holds: Aikido, Brazilian Jiu-Jitsu, Hapkido
Pinning Techniques: Judo, Wrestling
Weaponry
Traditional Weaponry: Fencing, Gatka, Kendo, Kyūdō
Modern Weaponry: Jukendo, Shooting sports
Many martial arts, especially those from Asia, also teach side disciplines which pertain to medicinal practices. This is particularly prevalent in traditional Chinese martial arts which may teach bone-setting, qigong, acupuncture, acupressure (tui na), and other aspects of traditional Chinese medicine.
Compiled using Wikipedia materials.
Sunday, 18 October 2009
Tuesday, 13 October 2009
Kalarippayattu
Kalarippayattu
Kalarippayattu (Malayalam കളരിപയറ്റ്,pronounced [kaɭəɾipːajətːɨ̆]) is a Dravidian martial art from Kerala in south India. Possibly one of the oldest fighting systems in existence, it is practiced in Kerala and contiguous parts of Tamil Nadu and Karnataka as well as northeastern Sri Lanka and among the Malayalee community of Malaysia. The word is spelled variously as kalari payat, kalarippayatta, kalaripayatt and many others depending on the dialect and romanisation system used.
It includes strikes, kicks, grappling, preset forms, weaponry and healing methods. Regional variants are classified according to geographical position in Kerala; these are the northern style, the southern style and the central style. Northern kalari payat is based on the principle of hard technique, while the southern style primarily follows the soft techniques, even though both systems make use of internal and external concepts.
Some of the choreographed sparring in kalari payat can be applied to dance and kathakali dancers who knew martial arts were believed to be markedly better than the other performers. Some traditional Indian dance schools still incorporate kalari payat as part of their exercise regimen.
History
Phillip Zarrilli, a professor at the University of Exeter and one of the few Western authorities on kalaripayattu, estimates that kalaripayattu dates back to at least the 12th century CE. The historian Elamkulam Kunjan Pillai attributes the birth of kalarippayattu to an extended period of warfare between the Cheras and the Cholas in the 11th century CE. From the 11th or 12th century the right and duty to practice the martial art in the service of a ruler was most associated with specific subgroups of Nairs; however, at least one subcaste of Brahmins, as well as some Christians and Muslims were given this right and duty.
In addition, a special subcaste of Ezhavas/Thiyyas called chekors were engaged to fight in ankam, public duels to the death to solve disputes between higher caste opposing parties. Among at least some Nair and Tiyya families, young girls also received preliminary training up until the onset of menses. We also know from the vadakkan pattukal ballads that at least a few women of noted Nair and Tiyya masters continued to practise and achieved a high degree of expertise. Ankam were fought on an ankathattu, a temporary platform, four to six feet high, purpose-built for ankam.
The earliest western account of this art is that of the Portuguese explorer Duarte Barbosa .
The more part of these Nayres when they are seven years of age are sent to schools where they are taught many tricks of nimbleness and dexterity; there they teach them to dance and turn about and to twist on the ground, to take royal leaps, and other leaps, and this they learn twice a day as long as they are children, and they become so loose-jointed and supple that they make them turn their bodies contrary to nature; and when they are fully accomplished in this, they teach them to play with the weapon to which they are most inclined, some with bows and arrows, some with poles to become spearmen, but most with swords and bucklers, which is most used among them, and in this fencing they are ever practising. The masters who teach them are called Panicals.
The writings of early colonial historians like Varthema, Logan and Whiteway shows that kalari payat was widely popular and well established with almost all people in Kerala transcending gender, caste and communal lines. It is said to have eventually become as prevalent as reading and writing. Kalari payat became more developed during the 9th century and was practiced by a section of the Nair community, warrior clan of Kerala, to defend the state and the king. The ancient warrior spirit was also retained throughout the centuries by the warrior chieftains of ancient Kerala known as the Mamanka Chekavar. The iconic Thacholi Othenan Kurup was elevated to heroic status in all of Kerala. The Lohar of north Kerala were Buddhist warriors who practiced kalaripayat.
Compiled using Wikipedia materials
Kalarippayattu (Malayalam കളരിപയറ്റ്,pronounced [kaɭəɾipːajətːɨ̆]) is a Dravidian martial art from Kerala in south India. Possibly one of the oldest fighting systems in existence, it is practiced in Kerala and contiguous parts of Tamil Nadu and Karnataka as well as northeastern Sri Lanka and among the Malayalee community of Malaysia. The word is spelled variously as kalari payat, kalarippayatta, kalaripayatt and many others depending on the dialect and romanisation system used.
It includes strikes, kicks, grappling, preset forms, weaponry and healing methods. Regional variants are classified according to geographical position in Kerala; these are the northern style, the southern style and the central style. Northern kalari payat is based on the principle of hard technique, while the southern style primarily follows the soft techniques, even though both systems make use of internal and external concepts.
Some of the choreographed sparring in kalari payat can be applied to dance and kathakali dancers who knew martial arts were believed to be markedly better than the other performers. Some traditional Indian dance schools still incorporate kalari payat as part of their exercise regimen.
History
Phillip Zarrilli, a professor at the University of Exeter and one of the few Western authorities on kalaripayattu, estimates that kalaripayattu dates back to at least the 12th century CE. The historian Elamkulam Kunjan Pillai attributes the birth of kalarippayattu to an extended period of warfare between the Cheras and the Cholas in the 11th century CE. From the 11th or 12th century the right and duty to practice the martial art in the service of a ruler was most associated with specific subgroups of Nairs; however, at least one subcaste of Brahmins, as well as some Christians and Muslims were given this right and duty.
In addition, a special subcaste of Ezhavas/Thiyyas called chekors were engaged to fight in ankam, public duels to the death to solve disputes between higher caste opposing parties. Among at least some Nair and Tiyya families, young girls also received preliminary training up until the onset of menses. We also know from the vadakkan pattukal ballads that at least a few women of noted Nair and Tiyya masters continued to practise and achieved a high degree of expertise. Ankam were fought on an ankathattu, a temporary platform, four to six feet high, purpose-built for ankam.
The earliest western account of this art is that of the Portuguese explorer Duarte Barbosa .
The more part of these Nayres when they are seven years of age are sent to schools where they are taught many tricks of nimbleness and dexterity; there they teach them to dance and turn about and to twist on the ground, to take royal leaps, and other leaps, and this they learn twice a day as long as they are children, and they become so loose-jointed and supple that they make them turn their bodies contrary to nature; and when they are fully accomplished in this, they teach them to play with the weapon to which they are most inclined, some with bows and arrows, some with poles to become spearmen, but most with swords and bucklers, which is most used among them, and in this fencing they are ever practising. The masters who teach them are called Panicals.
The writings of early colonial historians like Varthema, Logan and Whiteway shows that kalari payat was widely popular and well established with almost all people in Kerala transcending gender, caste and communal lines. It is said to have eventually become as prevalent as reading and writing. Kalari payat became more developed during the 9th century and was practiced by a section of the Nair community, warrior clan of Kerala, to defend the state and the king. The ancient warrior spirit was also retained throughout the centuries by the warrior chieftains of ancient Kerala known as the Mamanka Chekavar. The iconic Thacholi Othenan Kurup was elevated to heroic status in all of Kerala. The Lohar of north Kerala were Buddhist warriors who practiced kalaripayat.
Compiled using Wikipedia materials
Judo
Judo
Judo (柔道, jūdō?), meaning "gentle way", is a modern Japanese martial art (gendai budō) and combat sport, that originated in Japan in the late nineteenth century. Its most prominent feature is its competitive element, where the object is to either throw one's opponent to the ground, immobilize or otherwise subdue one's opponent with a grappling maneuver, or force an opponent to submit by joint locking the elbow or by executing a choke. Strikes and thrusts (by hands and feet)—as well as weapons defences—are a part of judo, but only in pre-arranged forms (kata) and are not allowed in judo competition or free practice (randori).
Ultimately, the philosophy and subsequent pedagogy developed for judo became the model for almost all modern Japanese martial arts that developed from "traditional" schools (koryū). In addition, the worldwide spread of judo has led to the development of a number of offshoots such as Sambo and Brazilian Jiu Jitsu. Practitioners of judo are called jūdōka.
History
The early history of judo is inseparable from its founder, Japanese polymath and educator Jigoro Kano (嘉納 治五郎 Kanō Jigorō, 1860–1938). Kano was born into a well-to-do Japanese family. His grandfather was a self-made man: a sake brewer from Shiga prefecture in central Japan. However, Kano's father was not the eldest son and therefore did not inherit the business. Instead, he became a Shinto priest and government official, with enough influence for his son to enter the second incoming class of Tokyo Imperial University.
Judo (柔道, jūdō?), meaning "gentle way", is a modern Japanese martial art (gendai budō) and combat sport, that originated in Japan in the late nineteenth century. Its most prominent feature is its competitive element, where the object is to either throw one's opponent to the ground, immobilize or otherwise subdue one's opponent with a grappling maneuver, or force an opponent to submit by joint locking the elbow or by executing a choke. Strikes and thrusts (by hands and feet)—as well as weapons defences—are a part of judo, but only in pre-arranged forms (kata) and are not allowed in judo competition or free practice (randori).
Ultimately, the philosophy and subsequent pedagogy developed for judo became the model for almost all modern Japanese martial arts that developed from "traditional" schools (koryū). In addition, the worldwide spread of judo has led to the development of a number of offshoots such as Sambo and Brazilian Jiu Jitsu. Practitioners of judo are called jūdōka.
History
The early history of judo is inseparable from its founder, Japanese polymath and educator Jigoro Kano (嘉納 治五郎 Kanō Jigorō, 1860–1938). Kano was born into a well-to-do Japanese family. His grandfather was a self-made man: a sake brewer from Shiga prefecture in central Japan. However, Kano's father was not the eldest son and therefore did not inherit the business. Instead, he became a Shinto priest and government official, with enough influence for his son to enter the second incoming class of Tokyo Imperial University.
Boxing
Boxing
Boxing is a combat sport where two participants, generally of similar weight, fight each other with their fists. Boxing is supervised by a referee and is typically engaged in during a series of one to three-minute intervals called rounds. There are three ways to win. Victory is achieved if the opponent is knocked down and unable to get up before the referee counts to ten seconds (a Knockout, or KO) or if the opponent is deemed too injured to continue (a Technical Knockout, or TKO). If there is no stoppage of the fight before an agreed number of rounds, a winner is determined either by the referee's decision or by judges' scorecards.
Although fighting with fists comes naturally to people, evidence of fist-fighting contests first appear on ancient Sumerian, Egyptian and Minoan reliefs. The ancient Greeks provide us our first historical records of boxing as a formal sport; they codified a set of rules and staged tournaments with professionals. The birth hour of boxing as a sport may be its acceptance as an Olympic game as early as 688 BC. Modern boxing evolved in Europe, particularly Great Britain.
In some countries with their own fighting sports, the sport is referred to as "English Boxing" (e.g. in France to contrast with French boxing, or in Burma with Burmese boxing and in Thailand with Thai boxing). There are numerous different styles of boxing practiced around the world. Boxing does not allow kicks like the styles above.
History
Fist fighting depicted in Sumerian relief carvings from the 3rd millennium BC, while an ancient Egyptian relief from the 2nd millennium BC depicts both fist-fighters and spectators.Both depictions show bare-fisted contests.In 1927 Dr. E. A. Speiser, an archaeologist, discovered a Mesopotamian stone tablet in Baghdad, Iraq depicting two men getting ready for a prize fight. The tablet is believed to be 7,000 years old. The earliest evidence for fist fighting with a kind of gloves can be found on Minoan Crete (c. 1500–900 BC), and on Sardinia, if we consider the boxing statues of Prama mountains (c. 2000–1000 BC).
Boxing is a combat sport where two participants, generally of similar weight, fight each other with their fists. Boxing is supervised by a referee and is typically engaged in during a series of one to three-minute intervals called rounds. There are three ways to win. Victory is achieved if the opponent is knocked down and unable to get up before the referee counts to ten seconds (a Knockout, or KO) or if the opponent is deemed too injured to continue (a Technical Knockout, or TKO). If there is no stoppage of the fight before an agreed number of rounds, a winner is determined either by the referee's decision or by judges' scorecards.
Although fighting with fists comes naturally to people, evidence of fist-fighting contests first appear on ancient Sumerian, Egyptian and Minoan reliefs. The ancient Greeks provide us our first historical records of boxing as a formal sport; they codified a set of rules and staged tournaments with professionals. The birth hour of boxing as a sport may be its acceptance as an Olympic game as early as 688 BC. Modern boxing evolved in Europe, particularly Great Britain.
In some countries with their own fighting sports, the sport is referred to as "English Boxing" (e.g. in France to contrast with French boxing, or in Burma with Burmese boxing and in Thailand with Thai boxing). There are numerous different styles of boxing practiced around the world. Boxing does not allow kicks like the styles above.
History
Fist fighting depicted in Sumerian relief carvings from the 3rd millennium BC, while an ancient Egyptian relief from the 2nd millennium BC depicts both fist-fighters and spectators.Both depictions show bare-fisted contests.In 1927 Dr. E. A. Speiser, an archaeologist, discovered a Mesopotamian stone tablet in Baghdad, Iraq depicting two men getting ready for a prize fight. The tablet is believed to be 7,000 years old. The earliest evidence for fist fighting with a kind of gloves can be found on Minoan Crete (c. 1500–900 BC), and on Sardinia, if we consider the boxing statues of Prama mountains (c. 2000–1000 BC).
Karate
Karate
Hanashiro Chōmo
Also known as Karate-dō (空手道)
Focus Striking
Hardness full contact
Country of origin Japan (Ryukyu Islands from indigenous fighting methods and Chinese kenpō[1][2] and further explored in Japan)
Creator Sakukawa Kanga; Matsumura Sōkon; Itosu Ankō; Arakaki Seishō; Higaonna Kanryō; Gichin Funakoshi
Parenthood Chinese martial arts, indigenous martial arts of Ryukyu Islands (Naha-te, Shuri-te, Tomari-te)
Olympic sport 2016 (Demonstration Sport)
Official website World Karate Federation
Karate (空手?) (Japanese pronunciation: [kaɽate] ( listen), English: /kəˈrɑːtiː/) is a martial art developed in the Ryukyu Islands (Okinawa) from indigenous fighting methods called te (手, literally: "hand"?) and Chinese kenpō. Karate is a striking art using punching, kicking, knee and elbow strikes, and open-handed techniques such as knife-hands (karate chop). Grappling, locks, restraints, throws, and vital point strikes are taught in some styles.
Karate developed in the Ryukyu Kingdom prior to its 19th century annexation by Japan. It was brought to the Japanese mainland in the early 20th century during a time of cultural exchanges between the Japanese and the Ryukyuans. In 1922 the Japanese Ministry of Education invited Gichin Funakoshi to Tokyo to give a karate demonstration. Keio University became the first Japanese university to open a dojo (training hall); by 1932, all Japanese universities had a dojo. In this era of nationalism, the Japanese name was changed from 唐手 ("Chinese hand") to 空手 ("empty hand") – both of which are pronounced karate – for political reasons and to indicate that the Japanese wished to develop the combat form in Japanese style. After the second world war, Okinawa became an important United States military site and karate became popular among servicemen stationed there.
The martial arts movies of the 1960s and 1970s served to greatly increase its popularity, and the word karate began to be used in a generic way to refer to all striking-based Oriental martial arts. Karate schools began appearing across the world, catering to those with casual interest as well as those seeking a deeper study of the art.
Shigeru Egami, Chief Instructor of Shotokan Dojo, opined "that the majority of followers of karate in overseas countries pursue karate only for its fighting techniques...Movies and television...depict karate as a mysterious way of fighting capable of causing death or injury with a single blow...the mass media present a pseudo art far from the real thing." Shoshin Nagamine said "Karate may be considered as the conflict within oneself or as a life-long marathon which can be won only through self-discipline, hard training and one's own creative efforts."
For many practitioners, karate is a deeply philosophical practice. Karate-do teaches ethical principles and can have spiritual significance to its adherents. Gichin Funakoshi ("Father of Modern Karate") titled his autobiography Karate-Do: My Way of Life in recognition of the transforming nature of karate study.
Today karate is practiced for self-perfection, for cultural reasons, for self-defense and as a sport. In 2005, in the 117th IOC (International Olympic Committee) voting, karate did not receive the necessary two thirds majority vote to become an Olympic sport. Web Japan (sponsored by the Japanese Ministry of Foreign Affairs) claims there are 23 million karate practitioners worldwide. A karate practitioner is called a karateka.
History
Karate began as a common fighting system known as te (Okinawan: ti) among the pechin class of the Ryukyuans. After trade relationships were established with the Ming dynasty of China by King Satto of Chūzan in 1372, some forms of Chinese martial arts were introduced to the Ryukyu Islands by the visitors from China, particularly Fujian Province. A large group of Chinese families moved to Okinawa around 1392 for the purpose of cultural exchange, where they established the community of Kumemura and shared their knowledge of a wide variety of Chinese arts and sciences, including the Chinese martial arts. The political centralization of Okinawa by King Shō Hashi in 1429 and the 'Policy of Banning Weapons,' enforced in Okinawa after the invasion of the Shimazu clan in 1609, are also factors that furthered the development of unarmed combat techniques in Okinawa.
There were few formal styles of te, but rather many practitioners with their own methods. One surviving example is the Motobu-ryū school passed down from the Motobu family by Seikichi Uehara. Early styles of karate are often generalized as Shuri-te, Naha-te, and Tomari-te, named after the three cities from which they emerged.Each area and its teachers had particular kata, techniques, and principles that distinguished their local version of te from the others.
Members of the Okinawan upper classes were sent to China regularly to study various political and practical disciplines. The incorporation of empty-handed Chinese wu shu into Okinawan martial arts occurred partly because of these exchanges. Traditional karate kata bear a strong resemblance to the forms found in Fujian martial arts such as Fujian White Crane, Five Ancestors, and Gangrou-quan (Hard Soft Fist; pronounced "Gōjūken" in Japanese). Further influence came from Southeast Asia— particularly Sumatra, Java, and Melaka. Many Okinawan weapons such as the sai, tonfa, and nunchaku may have originated in and around Southeast Asia.
Sakukawa Kanga (1782–1838) had studied pugilism and staff (bo) fighting in China (according to one legend, under the guidance of Kosokun, originator of kusanku kata). In 1806 he started teaching a fighting art in the city of Shuri that he called "Tudi Sakukawa," which meant "Sakukawa of China Hand." This was the first known recorded reference to the art of "Tudi," written as 唐手. Around the 1820s Sakukawa's most significant student Matsumura Sōkon (1809–1899) taught a synthesis of te (Shuri-te and Tomari-te) and Shaolin (Chinese 少林) styles. Matsumura's style would later become the Shōrin-ryū style.
Ankō Itosu
Grandfather of Modern KarateMatsumura taught his art to Itosu Ankō (1831–1915) among others. Itosu adapted two forms he had learned from Matsumara. These are kusanku and chiang nan. He created the ping'an forms ("heian" or "pinan" in Japanese) which are simplified kata for beginning students. In 1901 Itosu helped to get karate introduced into Okinawa's public schools. These forms were taught to children at the elementary school level. Itosu's influence in karate is broad. The forms he created are common across nearly all styles of karate. His students became some of the most well known karate masters, including Gichin Funakoshi, Kenwa Mabuni, and Motobu Chōki. Itosu is sometimes referred to as "the Grandfather of Modern Karate."
In 1881 Higaonna Kanryō returned from China after years of instruction with Ryu Ryu Ko and founded what would become Naha-te. One of his students was the founder of Gojū-ryū, Chōjun Miyagi. Chōjun Miyagi taught such well-known karateka as Seko Higa (who also trained with Higaonna), Meitoku Yagi, Miyazato Ei'ichi, and Seikichi Toguchi, and for a very brief time near the end of his life, An'ichi Miyagi (a teacher claimed by Morio Higaonna).
In addition to the three early te styles of karate a fourth Okinawan influence is that of Kanbun Uechi (1877–1948). At the age of 20 he went to Fuzhou in Fujian Province, China, to escape Japanese military conscription. While there he studied under Shushiwa. He was a leading figure of Chinese Nanpa Shorin-ken at that time. He later developed his own style of Uechi-ryū karate based on the Sanchin, Seisan, and Sanseiryu kata that he had studied in China.
Hanashiro Chōmo
Also known as Karate-dō (空手道)
Focus Striking
Hardness full contact
Country of origin Japan (Ryukyu Islands from indigenous fighting methods and Chinese kenpō[1][2] and further explored in Japan)
Creator Sakukawa Kanga; Matsumura Sōkon; Itosu Ankō; Arakaki Seishō; Higaonna Kanryō; Gichin Funakoshi
Parenthood Chinese martial arts, indigenous martial arts of Ryukyu Islands (Naha-te, Shuri-te, Tomari-te)
Olympic sport 2016 (Demonstration Sport)
Official website World Karate Federation
Karate (空手?) (Japanese pronunciation: [kaɽate] ( listen), English: /kəˈrɑːtiː/) is a martial art developed in the Ryukyu Islands (Okinawa) from indigenous fighting methods called te (手, literally: "hand"?) and Chinese kenpō. Karate is a striking art using punching, kicking, knee and elbow strikes, and open-handed techniques such as knife-hands (karate chop). Grappling, locks, restraints, throws, and vital point strikes are taught in some styles.
Karate developed in the Ryukyu Kingdom prior to its 19th century annexation by Japan. It was brought to the Japanese mainland in the early 20th century during a time of cultural exchanges between the Japanese and the Ryukyuans. In 1922 the Japanese Ministry of Education invited Gichin Funakoshi to Tokyo to give a karate demonstration. Keio University became the first Japanese university to open a dojo (training hall); by 1932, all Japanese universities had a dojo. In this era of nationalism, the Japanese name was changed from 唐手 ("Chinese hand") to 空手 ("empty hand") – both of which are pronounced karate – for political reasons and to indicate that the Japanese wished to develop the combat form in Japanese style. After the second world war, Okinawa became an important United States military site and karate became popular among servicemen stationed there.
The martial arts movies of the 1960s and 1970s served to greatly increase its popularity, and the word karate began to be used in a generic way to refer to all striking-based Oriental martial arts. Karate schools began appearing across the world, catering to those with casual interest as well as those seeking a deeper study of the art.
Shigeru Egami, Chief Instructor of Shotokan Dojo, opined "that the majority of followers of karate in overseas countries pursue karate only for its fighting techniques...Movies and television...depict karate as a mysterious way of fighting capable of causing death or injury with a single blow...the mass media present a pseudo art far from the real thing." Shoshin Nagamine said "Karate may be considered as the conflict within oneself or as a life-long marathon which can be won only through self-discipline, hard training and one's own creative efforts."
For many practitioners, karate is a deeply philosophical practice. Karate-do teaches ethical principles and can have spiritual significance to its adherents. Gichin Funakoshi ("Father of Modern Karate") titled his autobiography Karate-Do: My Way of Life in recognition of the transforming nature of karate study.
Today karate is practiced for self-perfection, for cultural reasons, for self-defense and as a sport. In 2005, in the 117th IOC (International Olympic Committee) voting, karate did not receive the necessary two thirds majority vote to become an Olympic sport. Web Japan (sponsored by the Japanese Ministry of Foreign Affairs) claims there are 23 million karate practitioners worldwide. A karate practitioner is called a karateka.
History
Karate began as a common fighting system known as te (Okinawan: ti) among the pechin class of the Ryukyuans. After trade relationships were established with the Ming dynasty of China by King Satto of Chūzan in 1372, some forms of Chinese martial arts were introduced to the Ryukyu Islands by the visitors from China, particularly Fujian Province. A large group of Chinese families moved to Okinawa around 1392 for the purpose of cultural exchange, where they established the community of Kumemura and shared their knowledge of a wide variety of Chinese arts and sciences, including the Chinese martial arts. The political centralization of Okinawa by King Shō Hashi in 1429 and the 'Policy of Banning Weapons,' enforced in Okinawa after the invasion of the Shimazu clan in 1609, are also factors that furthered the development of unarmed combat techniques in Okinawa.
There were few formal styles of te, but rather many practitioners with their own methods. One surviving example is the Motobu-ryū school passed down from the Motobu family by Seikichi Uehara. Early styles of karate are often generalized as Shuri-te, Naha-te, and Tomari-te, named after the three cities from which they emerged.Each area and its teachers had particular kata, techniques, and principles that distinguished their local version of te from the others.
Members of the Okinawan upper classes were sent to China regularly to study various political and practical disciplines. The incorporation of empty-handed Chinese wu shu into Okinawan martial arts occurred partly because of these exchanges. Traditional karate kata bear a strong resemblance to the forms found in Fujian martial arts such as Fujian White Crane, Five Ancestors, and Gangrou-quan (Hard Soft Fist; pronounced "Gōjūken" in Japanese). Further influence came from Southeast Asia— particularly Sumatra, Java, and Melaka. Many Okinawan weapons such as the sai, tonfa, and nunchaku may have originated in and around Southeast Asia.
Sakukawa Kanga (1782–1838) had studied pugilism and staff (bo) fighting in China (according to one legend, under the guidance of Kosokun, originator of kusanku kata). In 1806 he started teaching a fighting art in the city of Shuri that he called "Tudi Sakukawa," which meant "Sakukawa of China Hand." This was the first known recorded reference to the art of "Tudi," written as 唐手. Around the 1820s Sakukawa's most significant student Matsumura Sōkon (1809–1899) taught a synthesis of te (Shuri-te and Tomari-te) and Shaolin (Chinese 少林) styles. Matsumura's style would later become the Shōrin-ryū style.
Ankō Itosu
Grandfather of Modern KarateMatsumura taught his art to Itosu Ankō (1831–1915) among others. Itosu adapted two forms he had learned from Matsumara. These are kusanku and chiang nan. He created the ping'an forms ("heian" or "pinan" in Japanese) which are simplified kata for beginning students. In 1901 Itosu helped to get karate introduced into Okinawa's public schools. These forms were taught to children at the elementary school level. Itosu's influence in karate is broad. The forms he created are common across nearly all styles of karate. His students became some of the most well known karate masters, including Gichin Funakoshi, Kenwa Mabuni, and Motobu Chōki. Itosu is sometimes referred to as "the Grandfather of Modern Karate."
In 1881 Higaonna Kanryō returned from China after years of instruction with Ryu Ryu Ko and founded what would become Naha-te. One of his students was the founder of Gojū-ryū, Chōjun Miyagi. Chōjun Miyagi taught such well-known karateka as Seko Higa (who also trained with Higaonna), Meitoku Yagi, Miyazato Ei'ichi, and Seikichi Toguchi, and for a very brief time near the end of his life, An'ichi Miyagi (a teacher claimed by Morio Higaonna).
In addition to the three early te styles of karate a fourth Okinawan influence is that of Kanbun Uechi (1877–1948). At the age of 20 he went to Fuzhou in Fujian Province, China, to escape Japanese military conscription. While there he studied under Shushiwa. He was a leading figure of Chinese Nanpa Shorin-ken at that time. He later developed his own style of Uechi-ryū karate based on the Sanchin, Seisan, and Sanseiryu kata that he had studied in China.
Kung Fu
Shaolin Kung Fu
Shaolin Kung Fu refers to a collection of Chinese martial arts that claim affiliation with the Shaolin Monastery. Of the tens of thousands of kung fu wushu styles, several hundred might have some relationship to Shaolin; however, aside from a few very well known systems, such as Xiao Hong Quan, the Da Hong Quan, Yin Shou Gun, Damo Sword, etc.[citation needed], it would be almost impossible to establish a verifiable connection to the Temple for any one particular art.
History
Further information: Shaolin Monastery#Patron saint
The attribution of Shaolin's martial arts to Bodhidharma has been discounted by several 20th century martial arts historians, first by Tang Hao on the grounds that the Yì Jīn Jīng is a forgery. Stele and documentary evidence shows the monks historically worshiped the Bodhisattva Vajrapani's "Kimnara King" form as the progenitor of their staff and bare hand fighting styles.
Huiguang and Sengchou were involved with martial arts before they became two of the very first Shaolin monks, reported as practicing martial arts before the arrival of Bodhidharma. Sengchou's skill with the tin staff is even documented in the Chinese Buddhist canon.
Records of the discovery of arms caches in the monasteries of Chang'an during government raids in AD 446 suggests that Chinese monks practiced martial arts prior to the establishment of the Shaolin Monastery in 497. Monks came from the ranks of the population among whom the martial arts were widely practiced prior to the introduction of Buddhism. There are indications that Huiguang, Sengchou and even Huike, Bodhidarma's immediate successor as Patriarch of Chán Buddhism, may have been military men before retiring to the monastic life. Moreover, Chinese monasteries, not unlike those of Europe, in many ways were effectively large landed estates, that is, sources of considerable regular income which required protection.
In addition to that, the Spring and Autumn Annals of Wu and Yue, the Bibliographies in the Book of the Han Dynasty and the Records of the Grand Historian all document the existence of martial arts in China before Bodhidharma. The martial arts Shuāi Jiāo and Sun Bin Quan, to name two, predate the establishment of the Shaolin Monastery by centuries.
Shaolin Kung Fu refers to a collection of Chinese martial arts that claim affiliation with the Shaolin Monastery. Of the tens of thousands of kung fu wushu styles, several hundred might have some relationship to Shaolin; however, aside from a few very well known systems, such as Xiao Hong Quan, the Da Hong Quan, Yin Shou Gun, Damo Sword, etc.[citation needed], it would be almost impossible to establish a verifiable connection to the Temple for any one particular art.
History
Further information: Shaolin Monastery#Patron saint
The attribution of Shaolin's martial arts to Bodhidharma has been discounted by several 20th century martial arts historians, first by Tang Hao on the grounds that the Yì Jīn Jīng is a forgery. Stele and documentary evidence shows the monks historically worshiped the Bodhisattva Vajrapani's "Kimnara King" form as the progenitor of their staff and bare hand fighting styles.
Huiguang and Sengchou were involved with martial arts before they became two of the very first Shaolin monks, reported as practicing martial arts before the arrival of Bodhidharma. Sengchou's skill with the tin staff is even documented in the Chinese Buddhist canon.
Records of the discovery of arms caches in the monasteries of Chang'an during government raids in AD 446 suggests that Chinese monks practiced martial arts prior to the establishment of the Shaolin Monastery in 497. Monks came from the ranks of the population among whom the martial arts were widely practiced prior to the introduction of Buddhism. There are indications that Huiguang, Sengchou and even Huike, Bodhidarma's immediate successor as Patriarch of Chán Buddhism, may have been military men before retiring to the monastic life. Moreover, Chinese monasteries, not unlike those of Europe, in many ways were effectively large landed estates, that is, sources of considerable regular income which required protection.
In addition to that, the Spring and Autumn Annals of Wu and Yue, the Bibliographies in the Book of the Han Dynasty and the Records of the Grand Historian all document the existence of martial arts in China before Bodhidharma. The martial arts Shuāi Jiāo and Sun Bin Quan, to name two, predate the establishment of the Shaolin Monastery by centuries.
Martial Arts
Martial arts or fighting arts are systems of codified practices and traditions of training for combat. While they may be studied for various reasons, martial arts share a single objective: to physically defeat other persons and to defend oneself or others from physical threat. In addition, some martial arts are linked to beliefs such as Hinduism, Buddhism, Daoism, Confucianism or Shinto while others follow a particular code of honor. Many arts are also practiced competitively, most commonly as combat sports, but may also take the form of dance.
The term martial arts refers to the art of warfare (from Mars, the god of war). It comes from a 15th-century European term for fighting arts now known as historical European martial arts. A practitioner of martial arts is referred to as a martial artist.
In popular culture, the term martial arts often specifically refers to the combat systems that originated in Asian cultures, especially East Asian martial arts. However, the term actually refers to any codified combat system, regardless of origin. Europe is home to many extensive systems of martial arts, both living traditions (e.g. Jogo do Pau and other stick and sword fencing and Savate, a French kicking style developed by sailors and street fighters) and older systems of historical European martial arts that have existed through the present, many of which are now being reconstructed. In the Americas, Native Americans have traditions of open-handed martial arts including wrestling, and Hawaiians have historically practiced arts featuring small- and large-joint manipulation. A mix of origins is found in the athletic movements of Capoeira, which African slaves developed in Brazil based on skills they had brought from Africa.
While each style has unique facets that make it different from other martial arts, a common characteristic is the systematization of fighting techniques. Methods of training vary and may include sparring (simulated combat) or formal sets or routines of techniques known as forms or kata. Forms are especially common in the Asian and Asian-derived martial arts.
Variation and scope
Martial arts vary widely, and may focus on a specific area or combination of areas, but they can be broadly grouped into focusing on strikes, grappling, or weapons training. Below is a list of examples that make extensive use of one these areas; it is not an exhaustive list of all arts covering the area, nor are these necessarily the only areas covered by the art but are the focus or best known part as examples of the area:
Striking
Punching: Boxing (Western), Wing Chun
Kicking: Capoeira, Kickboxing, Savate, Taekwondo
Other strikes:
Elbows and knees: Muay Thai
open-hand):Karate, Shaolin Kung Fu
Grappling
Throwing: Glima, Judo, Jujutsu, Sambo
Joint lock/Submission holds: Aikido, Brazilian Jiu-Jitsu, Hapkido
Pinning Techniques: Judo, Wrestling
Weaponry
Traditional Weaponry: Fencing, Gatka, Kendo, Kyūdō
Modern Weaponry: Jukendo, Shooting sports
Many martial arts, especially those from Asia, also teach side disciplines which pertain to medicinal practices. This is particularly prevalent in traditional Chinese martial arts which may teach bone-setting, qigong, acupuncture, acupressure (tui na), and other aspects of traditional Chinese medicine.
Compiled using Wikipedia materials.
The term martial arts refers to the art of warfare (from Mars, the god of war). It comes from a 15th-century European term for fighting arts now known as historical European martial arts. A practitioner of martial arts is referred to as a martial artist.
In popular culture, the term martial arts often specifically refers to the combat systems that originated in Asian cultures, especially East Asian martial arts. However, the term actually refers to any codified combat system, regardless of origin. Europe is home to many extensive systems of martial arts, both living traditions (e.g. Jogo do Pau and other stick and sword fencing and Savate, a French kicking style developed by sailors and street fighters) and older systems of historical European martial arts that have existed through the present, many of which are now being reconstructed. In the Americas, Native Americans have traditions of open-handed martial arts including wrestling, and Hawaiians have historically practiced arts featuring small- and large-joint manipulation. A mix of origins is found in the athletic movements of Capoeira, which African slaves developed in Brazil based on skills they had brought from Africa.
While each style has unique facets that make it different from other martial arts, a common characteristic is the systematization of fighting techniques. Methods of training vary and may include sparring (simulated combat) or formal sets or routines of techniques known as forms or kata. Forms are especially common in the Asian and Asian-derived martial arts.
Variation and scope
Martial arts vary widely, and may focus on a specific area or combination of areas, but they can be broadly grouped into focusing on strikes, grappling, or weapons training. Below is a list of examples that make extensive use of one these areas; it is not an exhaustive list of all arts covering the area, nor are these necessarily the only areas covered by the art but are the focus or best known part as examples of the area:
Striking
Punching: Boxing (Western), Wing Chun
Kicking: Capoeira, Kickboxing, Savate, Taekwondo
Other strikes:
Elbows and knees: Muay Thai
open-hand):Karate, Shaolin Kung Fu
Grappling
Throwing: Glima, Judo, Jujutsu, Sambo
Joint lock/Submission holds: Aikido, Brazilian Jiu-Jitsu, Hapkido
Pinning Techniques: Judo, Wrestling
Weaponry
Traditional Weaponry: Fencing, Gatka, Kendo, Kyūdō
Modern Weaponry: Jukendo, Shooting sports
Many martial arts, especially those from Asia, also teach side disciplines which pertain to medicinal practices. This is particularly prevalent in traditional Chinese martial arts which may teach bone-setting, qigong, acupuncture, acupressure (tui na), and other aspects of traditional Chinese medicine.
Compiled using Wikipedia materials.
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